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MEN; LIGHTED DECK FOR 2. HOUR. OPERATIONS; MORE DETAIL TO BE ADDED; $2,1. EAST. COAST; TI- GC- VW- NINMOR2. TON DRY DOCK; 2. 50 FEET (7. METERS) LONG (OVERALL) 8. FEET. (2. 5. 9 METERS) WIDE (OVERALL), 7. FEET (2. 2. 9 METERS) INSIDE WING. WALLS BY * METERS DEEP MAXIMUM DRAFT FOR LOADING; WING WALLS. HEIGHT 3. 0 FEET (9. METERS); EMPTY DRAFT * METERS; FULL LOAD. DRAFT * METERS; WILL HELP ARRANGE SHIPPING; UNDER. CONSTRUCTION TO BE FINISHED 2. PHOTO A(1. 20. K); PHOTO. B(1. 20. K); U. S. GULF COAST. TI- GC- VW- NINMOR2. PER DAY 3. 0 DAYS OR MORE; $1. PER DAY; 1. 4 TO 2. DAYS; 1 TO. 7 DAYS $2. PER DAY; 8 TO 1. 3 DAYS $1. PER DAY; PHOTO A(9. K); PHOTO. B(9. 0K); PHOTO. C(9. 0K); PHOTO. E(9. K); PHOTO. F(9. 0K); PHOTO. G(9. 0K); PHOTO. LOUISIANA; GW- CD- VW- NINTLO2. PER MONTH. WITH CREW FOR 2. OPERATIONS (6 MAN, 2 CRANE OPERATORS, 2. OILERS, 1 CAPTAIN/SUPERINTENDENT, 1 COOK; ) . PER DAY; ABOUT 5. DAYS TO BE READY TO WORK; HAVE HAD EXCEPTIONALLY WELL RUN EFFICIENT. OPERATIONS ON MULTI YEAR CONTRACTS. PHOTO A(1. 00. K); PHOTO. B(1. 00. K); PHOTO. C(1. 00. K); PHOTO. D(1. 00. K); PHOTO. E(1. 00. K); PHOTO. F(1. 00. K); PHOTO. G(1. 00. K); PHOTO. H(1. 00. K); PHOTO. I(1. 00. K); LOUISIANA; JC- JS- VW- LNNANO2. PER DAY, 4. 1 TO 6. DAYS $7,2. 00 PER DAY; WILL. START AT THE HIGHER RATE AND GIVE CREDIT AS THE BARGE IS KEEP. PHOTO A(1. 70. 0K); PHOTO. B(1. 70. K); ALABAMA. LD- SH- NW- VW- LNNANV2. PER DAY EACH 2 MONTHS MINIMUM 1 OR 2; $3,0. EACH 3 TO 4. ALL 5 AT ONE TIME $2,9. EACH ALL 5. PHOTO A(6. K); PHOTO. PHOTO C(6. K). PHOTO D(6. 0K). PHOTO E(6. 0K). PHOTO F(6. K). PHOTO G(6. 0K); PHOTO. H(6. 0K); PHOTO. I(6. K); PHOTO. J(6. 0K); PHOTO. K(6. 0K); PHOTO L(6. K); PHOTO M(6. 0K); PHOTO N(6. K); PHOTO O(6. 0K); PHOTO. P(6. 0K); PHOTO Q(6. K); PHOTO R(6. 0K); PHOTO S(6. K); PHOTO T(6. 0K); PHOTO. U(6. 0K); PHOTO. V(6. K); PHOTO. W(6. 0K); PHOTO X(6. K); PHOTO Y(6. 0K); PHOTO Z(6. K). LOUISIANA; AZ- CT- VW- LNNAVN. PER DAY; BY THE MONTH. PER DAY; PHOTO A(2. K); LOUISIANA; AZ- CT- VW- LNNAVN 2. PER DAY BARE BOAT. EXPERIENCED AND LICENSED OPERATOR $8. PER DAY; SINCE THIS IS AND. UNUSUAL AND HARSH ENVIRONMENT THE CHARTERER WILL BE RESPONSIBLE FOR. FUEL, LUBE, AND ROUTINE MAINTENANCE COST OF EACH VESSEL WHILE UNDER. CHARTER ALONG WITH HOUSING AND FEEDING THE CREW; IF CHARTERER IS. UNABLE TO PROVIDE HOUSING DURING OFF DUTY HOURS A PER DIEM OF. PER DAY PER PERSON PLUS $1. PER MILE WILL BE CHARGED; WE. REQUIRE 2 WEEKS ADVANCE CHARTER PAYMENT UPON SIGNING THE CHARTER AND. PAYMENT WILL BE PAID EVERY 2 WEEKS IN ADVANCE THEREAFTER EXCEPT. AFTER THE FIRST WEEK THE NEXT 2 WEEKS PAYMENT IS DO. PER DAY, 1 MONTH MINIMUM; $6,0. PER DAY 3 MONTHS OR MORE. U. S. EAST COAST; AZ- VW- LNNRON 2. PER DAY, 1 MONTH MINIMUM; $6,0. PER DAY 1 TO 2 MONTHS. CHARTER; $5,5. 00. PER DAY 3 MONTHS OR MORE; LOUISIANA; AZ- VW- LNNRON 2. EACH, 3 TO 5 $1. 65,0. EACH; 6 TO 1. 0 $1. EACH; 1. 0 OR MORE. EACH; SETS OF USED SERVICEABLE FIBERGLASS COVERS* $1. 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At the same time, authors are encouraged to avoid methodological tutorials and cite appropriate references for the methodology. Describe your sampling frame clearly and how the sample was selected, justifying the type and size of your sample using appropriate language for qualitative studies. Greek Goddess of the Dawn (Roman Aurora)Greek Mythology > > Greek Gods > > Sky Gods > > Titans > > Eos. Eos and Tithonus, Athenian red- figure kylix C5th B. C., British Museum. EOS was the rosy- fingered goddess of the dawn. She and her siblings Helios (the Sun) and Selene (the Moon) were numbered amongst the second- generation Titan gods. Eos rose into the sky from the river Okeanos (Oceanus) at the start of each day, and with her rays of light dispersed the mists of night. She was depicted either driving a chariot drawn by winged horses or borne aloft on her own wings. Eos had an unquenchable desire for handsome young men, some say as the result of a curse laid upon her by the goddess Aphrodite. Her lovers included Orion, Phaethon, Kephalos (Cephalus) and Tithonos (Tithonus), three of which she ravished away to distant lands. The Trojan prince Tithonos became her official consort. When the goddess petitioned Zeus for his immortality, she neglected also to request eternal youth. In time he shrivelled up by old age and transformed into a grasshopper. Eos was closely identified with Hemera, the primordial goddess of day. In some myths- -such as the tales of Orion and Kephalos- -Eos stood virtually as a non- virginal substitute for Artemis. FAMILY OF EOSPARENTS. She was a daughter of Hyperion and Theia or Euryphassa, and a sister of Helios and Selene. Ts- massage & spa= upscale 647-551-3685 open 24/7 best choice= yonge & eglinton west south remind you:( certified massage therapy) "massage for men only".Hom. Hymn in Sol. Pallas. At the close of night she rose front the couch of her beloved Tithonus, and on a chariot drawn by the swift horses Lampus and Pha. Hymn in Merc. 1. 85; Theocrit. In the Homeric poems Eos not only announces the coming Helios, but accompanies him throughout the day, and her career is not complete till the evening; hence she is sometimes mentioned where one would have expected Helios (Od. Hemera, of whom in later times the same myths are related as of Eos. Mythology represents her as having carried off several youths distinguished for their beauty. Thus she carried away Orion, but the gods were angry at her for it, until Artemis with a gentle arrow killed him. According to Apollodorus (i. Cleitus, the son of Mantius, was carried by Eos to the seats of the immortal gods (Od. Tithonus, by whom she became the mother of Emathion and Memnon, was obtained in like manner. She begged of Zeus to make him immortal, but forgot to request him to add eternal youth. So long as he was young and beautiful, she lived with him at the end of the earth, on the banks of Oceanus ; and when he grew old, she nursed him, until at length his voice disappeared and his body became quite dry. GIF made from video of the THAAD missile defense system test launched yesterday from Alaska to hit a target sent from north of Hawaii (US Missile Defense Agency) The. ABE KAORU: “Winter 1972” (Sound Works – MN-3039) (Record: Mint/ Plain Cover: Mint). One of the rarest privately released Japanese jazz slides is this one. She then locked the body up in her chamber, or metamorphosed it into a cricket. Horat. 3. 0; Apollod. I’m honestly baffled here. Can this guy really be this much of a dummy? It’s certainly possible he’s not, and just doing something insipid because he knows it. When her son Memnon was going to fight against Achilles, she asked Hephaestus to give her arms for him, and when Memnon was killed, her tears fell down in the form of morning dew. By Astraeus Eos became the mother of Zephyrus, Boreas, Notus, Heosphorus, and the other stars. Cephalus was carried away by her from the summit of mount Hymetttus to Syria, and by him she became the mother of Pha. Apollod. 7. 03, & c.; Hygin. Fab 1. 89.) Eos was represented in the pediment of the kingly stoa at Athens in the act of carrying off Cephalus, and in the same manner she was seen on the throne of the Amyclaean Apollo. In the works of art still extant, she appears as a winged goddess or in a chariot drawn by four horses. Source: Dictionary of Greek and Roman Biography and Mythology. ALTERNATE NAME SPELLINGSTranslation. Dawn (Doric sp.)Dawn (Aeolic sp.)CLASSICAL LITERATURE QUOTESPARENTAGE OF EOSEos and Tithonus, Athenian red- figure kylix C5th B. C., Museum of Fine Arts Boston. Hesiod, Theogony 3. Evelyn- White) (Greek epic C8th or C7th B. C.) . Evelyn- White) (Greek epic C7th - 4th B. C.) . Aldrich) (Greek mythographer C2nd A. D.) . Hyperion and Theia had Eos (Dawn), Helios (Sun), and Selene (Moon). Grant) (Roman mythographer C2nd A. D.) . 3. 73 ff (trans. Boyle) (Roman poetry C1st B. C. Eos, Aurora. 7. Mozley) (Roman epic C1st A. D.) . Eos the dawn. Evelyn- White) (Greek epic C8th or C7th B. C.) . Aldrich) (Greek mythographer C2nd A. D.) . Grant) (Roman mythographer C2nd A. D.) . 3. 40 ff (trans. Rouse) (Greek epic C5th A. D.) : ? Aldrich) (Greek mythographer C2nd A. D.) . 1. 18 ff (trans. Shewring) (Greek epic C8th B. C.) . So it was when Eos of the rosy fingers chose out Orion; you gods who live in such ease yourselves were jealous of her until chaste Artemis in her cloth- of- gold visited him with her gentle shafts and slew him in Ortygia . Aldrich) (Greek mythographer C2nd A. D.) . 1. 92 ff (trans. Rouse) (Greek epic C5th A. D.) . 2. 50 ff (trans. Shewring) (Greek epic C8th B. C.) . Evelyn- White) (Greek epic C8th or C7th B. C.) . Aldrich) (Greek mythographer C2nd A. D.) . They had sex in Syria, and she borne him a son Tithonos (Tithonus). Tithonos is usually called the husband, not son, of Eos. Jones) (Greek travelogue C2nd A. D.) . Hemera (Day) . His son was Phaithon (Phaethon),afterwards ravished by Aphrodite . Such is the tale told by Hesiod, among others, in his poem on women. Celoria) (Greek mythographer C2nd A. D.) . She kidnapped him, keeping him at home as her lover. Grant) (Roman mythographer C2nd A. D.) . Cephalus, son of Pandion, whom Aurora . Tithonus, husband of Aurora. He refused, since he had given his promise to Procris. Then Aurora said : . When Cephalus had come in his changed form, he gave the gifts to Procris and lay with her. Then Aurora took away his new appearance. When Procris saw Cephalus, she knew she had been deceived by Aurora, and fled to the island of Crete . When Cephalus saw the bushes stir, he hurled the unavoidable javelin, and killed his wife. Melville) (Roman epic C1st B. C. And may the goddess pardon me, if I say what is true : her rosy cheeks are fair, she rules the borderlands of dark and day, she drinks the nectar's honeydew, but I loved Procris, Procris ever in my heart, and Procris on my lips. I spoke of bonds of holy wedlock, of love's fresh delights, my vows so new and my deserted bride, until in rage the goddess cried : ! Have your Procris! But, if I can see the future, you will rue the day you had her,’ and so sent me back. On my way home the goddess' prophecy began to form, fear that my wife had failed her marriage vows . Intent on heartbreak I resolved to test her loyalty with presents. And Aurora . Prokris failed the test and fled him, but the two were eventually reconciled. I sought the gentle aura in the heat, I waited for the aura, for its balm, my labour's rest. For your sake I love the lonely places and the woods; your breath I seek for ever on my lips.’Some fool who overheard my words mistook the double sense and thought that aura (breeze) called so often was the goddess . This hasty tell- tale hurried off to Procris and told in whispers my supposed offence. Love will believe too soon. In sudden grief she swooned, they told me, then, restored at last, bemoaned her misery, her cruel fate, accused my honour and, imagining a false offence, feared a mere nothing, feared an insubstantial name, poor soul, and grieved as over a true rival paramour. Yet she had doubts and in her wretchedness hoped she was wrong, refusing to accept the tale or, till her eyes had evidence convict her husband of such villainy. Next day the gleam of dawn had banished night and out into the woods I went and found good sport and, lying on the grass, I called ! And suddenly, as I spoke, I seemed to hear a sound of moaning, but I called again . It was my wife! Clutching her wounded breast, ! Ay me!’ she cried. I knew her voice, my Procris' voice, and like a madman rushed headlong towards the sound. And there, half- dead, her clothes blood- splattered, plucking from the wound the gift (heaven help me!) she had given me, I found her . But what did telling help? Presents a season of touring Broadway productions and concerts at various venues. Information about shows, tickets, and the theater. Disney's Aladdin The Broadway Musical- One Jump Ahead.
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Download - Update. Star - Update. Star. Download the. free trial version below to get started. Double- click the downloaded file. Update. Star is compatible with Windows platforms. Update. Star has been tested to meet all of the technical requirements to be compatible with. Windows 1. 0, 8. 1, Windows 8, Windows 7, Windows Vista, Windows Server 2. Windows. XP, 3. 2 bit and 6. Simply double- click the downloaded file to install it. Update. Star Free and Update. Star Premium come with the same installer. Update. Star includes support for many languages such as English, German, French, Italian, Hungarian, Russian and many more. You can choose your language settings from within the program. Last weekend’s North American International Championships had two big surprises: not only did Australians sweep the tournament, a Snorlax dodged more than half a. Which versions of La Folia have been written down. Anonymous for carillon (in dutch. Ms. 1. 75. 6)Les Folies d'Espagne (theme and double followed by 1. Manuscript LBII II. Library of Leuven?)(Folie des Spanie)A small introduction of the carillon as an instrument might be handy because. The instrument is built around. Hungary (/ . You may search for a composer, title, clarinetist, or any other text on this page by using the Edit menu Find command (shortcut Ctrl+F or Mac Command+F). Biography Childhood and early years (1881–98) Béla Bartók Jr. Dynamics is possible because the amount of force applied, controls. Jeff Davis, the university carillonist of Berkeley, enlightened me about the. Originally from Belgium and The Netherlands, the carillon. There are close to 2. North America alone. A modern. carillon is capable of extraordinary sensitivity to touch and has, in the. There. are national schools in The Netherlands (Amersfoort), Belgium (Mechelen). France (Douai). In North America, while there is no national school. University of Michigan. Ann Arbor, and at Berkeley. The difficulty in playing comes not from. For further reading about this instrument http: //www. Chapter 7. In the slipcase. Luc Rombouts (see below) three of those sources are mentioned. De Gruytters V.- fel. Wyckaert, nr. 3. 6 (1. La Folie. d'Espagne) and Van Belle. Some sources mention ocasionally that the La. Folia- theme was part of the program to get the appointment of beiaardier. The Leuven manuscript is not just a simple transcription (although some passages. As a source is mentioned the compact disc. Preludia, Matthias Vanden Gheyn' SABAM TM HG 1, 1. Rombouts, Luc and Huybens, G. Een 1. 8de- eeuws. Leuvens beiaardhanschrift' (translation: the songs of the Lovenaers. Gertrude of Leuven, Belgium Realisation sponsored by KU Leuven, Stad Leuven, Gemeentekrediet. Jeugd en Muziek Leuven amongst others. Sint- Pieterskerk (Sergeys- beiaard), Leuven (carillon- beiaard). Duration: 0'1. 7. Heard every hour from. Eastern 2. 00. 3 till Eastern 2. Thanks to Pierre Chantrenne for making this field recording at Leuven. Folies d'Espagne (2. Sint- Pieterskerk, Leuven, Belgium. Published by the magazine . The drum's rotation. The numbers are ment to indicate the division. Title: Folies d'Espagne Created Eastern 2. Duration: From Eastern 2. Eastern 2. 00. 4 for every. Recording date: September 2. Carillon: Sergeys- beiaard of the Sint- Pieterskerk, Leuven. Belgium Anonymous for carillon (Ms. Netherlands/C. The chosen. Folia- progression. To give the tune a nice balance, an intro of an expectant. Folia- variations. The vocal Machado piece starts at the 1. Folia- variation and ends at the first bar of another three later Folia- variations to conclude the piece. Machado- fragment again with the same bridge between the Folia- variation and 'Dos estrellas le siguen' by. Machado. As the source of the Machado- piece is mentioned Cancionero Sablonara, Bayerische Staatsbibliothek, Mus. Manuscrito en forma de libro de coro, copiado en Madrid en la corte. Claudio Sablonara c. Contiene 7. 5 canciones a cuatro, a tres y a dos, cuyos autores son Blas, Romero, Machado, Pujol. R. Falconiero / Manuel: Machado Folias e Dos estrellas le siguen G. Broadcasted by Portuguese Radio April 2. Duration: 8'0. 1. He seems to have been much. Only twenty works of his are. Spanish, and all of exceeding beauty. A case in point is the finesse of his 'Dos estrellas le siguen'. This gem of a song, which opens this recording, is encased in a series of variations elaborated by our. Fol. Dujardin, Fran. E SIFD 1. 8 Societa Italiana del Flauto. Dolce. Franco, Horatio (flutes) 'Mestizajes Novohispanos'. With Santiago Alvares harpsichord and Asaf Rolerstein cello: Title: Variaciones sobre La Follia an. French guitarist and lutenist Robert de Vis. Some names that spring to mind include Corelli, Lully, Couperin, Vivaldi, Carl Philipp Emanuel Bach, Marais, d'Anglebert, Telemann, without counting Paganini, Liszt or Rachmaninov much later. In France, it is often called Folies d'Espagne and, in the United Kingdom, Farinel's Ground after Michel Farinel (Farinelli), who was born in 1. Grenoble at tyhe turn of the 1. Manuscrit di Parma) Released 2. Integral Classic compact disc INT 2. Duration: 9'3. 9. Flauto, Anonymous. Released 2. 00. 8 by MA Recordings compact disc M0. A (JP). Duration: 1. Variazioni (Anonimo sec. CF- V- 2. 3 della Biblioteca Palatina di Parma per Flauto. Dolce Contralto (Flauto Traverso, Oboe) e Basso Continuo Published 1. Hors, musica varia, by UT Orpheus. Edizioni, Bologna, Italy Score 2. ISMN M- 2. 15. 3- 0. Anonymous for baroque guitar. Folias de Espanha (ca. Manuscript: Livro de Guitarra do Conde de Redondo (Count of Redondo's guitar. Original source: LVSITANA MUSICA, 1/ opera mvsica selecta - 2 Uma tablatura. O livro do Conde de Redondo, edi. Edited by the Musicology Departement of IPPC - Portugal. Paulo Galv. In this manuscript there is a Giga from Corelli's Op. Monica Hall thinks that around 1. S. Murcia's book published on 1. I. can agree with this. In the Iberian tradition, the book is notated in numerical (as opposed to. Portuguese baroque guitar sources, rhythmic indications. I reconstructed the rhythmic structure. Released 2. 00. 0 by Music. It might well be that the year was added later to the entire manuscript or that the manuscript was a collection of pieces gathered over the years. The 5- string guitar disappeared around 1. Italian builder specialized in mandolins, Gaetano Vinaccia in 1. Napels. The popularity of this new guitar becomes clear when we look at the first printed method in 1. It might be that this innovation was not implemented everywhere at once on a regional level. This Norwegian region is not on the crossroad of spreading innovations and can be considered as a northern outpost of Europe where influences spread at a later date. Whatever the reason might be, I guess the manuscript is written with an eye to the high Baroque despite the dates 1. The person, Johanne Hertzberg, who wrote the guitar music in the book lived from 1. The book was passed down generations, and the date of 1. The guitar music is certainly not of the 1. See. http: //folk. Gitar. html. Den Hertzbergske notebok. Anonymous for baroque guitar See H. Florence)Title unknown: 3 variations These three variations for harp solo might be identical to the variations. Music in manuscript 3. Conservatorio Luigi Cherubini, Florence. Griffiths, Ann revised the modern edition Published as Telwn Dewi in Tregaron, Wales in. O'Farrell, Anne- Marie (Irish harp) 'Number Twenty Nine presents Harping. Bach to Carolan' Title: Folia Source: Telwn Dewi, ed. Ann Griffiths Released 1. Number Twenty Nine and Anne- Marie O'Farrell. Meath Irish harp made in Ireland by Jan Muyllaert Anonymous for harp solo (Ms. Madrid)Diferencias de las Fol. During the course of the seventeenth century the harmonic pattern. The. latter are distinguished by their melodies with upbeats and a clear. The use of the campanela (a frequently. Rivera), barock guitar. Juan Miguel Nieto), theorbo (Consuelo Navas) and viola da gamba (Sara. Ruiz). Released 2. Harmonia Mundi compact disc HMI 9. Duration: 2'0. 0. Gerold. See also the page Recommended Folia- recordings. Zabaleta, Nicanor 'Spanische Harfenmusik des 1. Jahrhunderts' Title: Folias Released 1. Archiv Produktion LP SAPM 1. Series: Archive production, 4th research period Forschungsbereich. Westeuropa zwichen Barock und Rokoko (1. Serie: Spanischen. Meister Missing in the collection of the Rotterdam Discotheek. The Netherlands, October 1. CF0. 00. 23) Anonymous for harp solo (version by Andrew Lawrence- King)Folias (imperfectas) Rather doubtful if this version is for harp solo, In the documentation of the discs no sources (manuscripts) are mentioned at all. Lawrence- King, Andrew 'Erasmus van Rotterdam' Title: Folias (imperfectas) - Anonymous Released 2. Alia Vox 6 cd- set (cd nr. AVSA 9. 89. 5 A/F. Duration: 1'4. 2. Lemoine, Paris, 2. Anonymous for harpsichord solo. Folies d'Espagnes pour clavecin (manuscript, collected 1. The collection, of which the Folies d'Espagne is a part, was collected by. Marc Roger Normand Couperin (1. Court of Sardina. Fran. Because of this last. Couperin of Turin' (Turino, Italy) when. Coperino da Torino'. Lebrecht CD of the Week. This page contain Norman Lebrecht's CDs of the Week from February 1. March 4, 2. 01. 4. For the latest. Lebrecht Weekly, visit here. But a revival has been stirring these past few years with European and US productions of his Auschwitz survivors’ opera The Passenger and sporadic recordings of variable quality of his instrumental works, among them 2. Some consider him the third great Soviet composer, after Prokofiev and Shostakovich. Gidon Kremer has no doubts of his genius. He opens this set with a solo violin sonata, austere and melancholic. Skip that, and you enter a frisky 1. Tchaikovsky winner, Daniil Trifonov. Written under Stalin’s second Terror Wave in which members of Weinberg’s family were murdered, the works wear a fixed smile and a ferocious concentration. The listener dare not relax. A 1. 94. 8 concertino for violin and string orchestra is altogether more ingratiating, with an arresting opening melody and busy interplay between soloist and ensemble. It’s a retro near- masterpiece of 1. The tenth symphony, which wraps up the album, is a post- tonal experiment of the late 1. The playing quality is top drawer. Weinberg always leaves me wanting to hear more.> Buy this CD at Amazon. February 4, 2. 01. The Westminster Legacy(DG)*****In the golden age of orchestral recording – the 1. American labels piled into London and Vienna after an aggressive union priced their own musicians out of work. At Abbey Road, players worked thirty days on the trot, three sessions a day, to feed a burgeoning market for classical music. In Vienna, the Philharmonic (exclusively contracted to Decca) performed under six different names for other labels. Westminster was one of the busiest of these producers and its arhives have been virtually unavailable for the past quarter- century, since the digital dawn. This overdue compilation of 4. CDs is filled with uncollected glories, some half- remembered, others unknown. A Vienna Mozart Requiem conducted by the cerebral Hermann Scherchen, with Sena Jurinac as soloist; Clara Haskil playing the Mozart D minor concerto and the very young Daniel Barenboim the E- flat major: treasures beyond the stuff of dreams. Pierre Monteux leading Beethoven’s ninth in London with Elisabeth Soderstrom and Jon Vickers; Adrian Boult conducting The Planets in Vienna; Hans Knappertsbusch interpreting Bruckner; debut discs by the Amadeus Quartet and Julian Bream; the two best Czech quartets coming together in Mendelssohn’s Octet. This is fantasy casting of an almost unimaginable pedigree and few today are aware that these recordings even exist. There are, inevitably, a few period duds in the box, but even these mishits – Scherchen Conducts Music for Multiple Orchestras – proclaim an idealism that we’d write off as quixotic if we didn’t, finally, blessedly, have proof of their existence. Where on earth to begin?> Buy this CD at Amazon. January 6, 2. 01. Andr. The first is written in B flat minor, a dark key that others mostly shunned. The second is by Boris Tchaikovsky, a student and kindred spirit of Dmitri Shostakovich. The third is like nothing you’ve ever heard before. In the first place, its composer’s name is not really Tchaikovsky. That was a name picked by his grandmother to pluck him from the Warsaw Ghetto and keep him alive, hidden in a closet, until the Nazis were defeated. The boy, a pianist and composer, was an unsettled soul who lived mostly in England until his death of cancer, aged 4. For many years he was known as the man who left his skull to the Royal Shakespeare Company for use in the gravediggers’ scene in Hamlet. Last summer, however, his opera The Merchant of Venice received a triumphant premiere at the Bregenz Festival and the third Tchaikovsky (too late to change the name) is now firmly back in play. His piano concerto, written for Radu Lupu in the late 1. Sixties London. Atonal and dramatic, it is austere only in its frugality – not a note out of place. A sultry mischief, alternately angry and amused, pervades the work. The music engages the listener with a powerful personality and an infectious musicality. We need to hear this concerto at the BBC Proms to sample its exciting potential. The performers here are Maciej Grzybowski and the Vienna Symphony Orchestra, conductor Paul Daniel. Andr. Raised a Lutheran in Trenton, New Jersey, he went wild among artists and ladies, filling his apartment with new acquisitions – a Braque, a Picasso, a Leger, two Kubins, the paint still wet. Shuttling between 1. Paris and Berlin he finally headed to Hollywood, last refuge of the wannabe celebrity. In music as in books, his best writing is often the title – Airplane Sonata, Swell Music, Death of Machines. The promise soon wears thin. Aiming to break sound barriers, he lands somewhere between honky- tonk and his all- time idol, Igor Stravinsky. The solo piano music is entertaining enough in noisy spells. Guy Livingston, intermittently joined by two other pianists, hurls himself at the keyboard and spares no effort to make a case for an Antheil revival. No fault of his that the music is no more than a dinner plate shattered into period pieces.> Buy this CD at Amazon. December 9, 2. 01. James Mac. Millan: Alpha & Omega(Linn)****Nobody does church like James Mac. Millan. Every year, as Christmas nears and a Mass or Magnificat of his lands on the deck, the composer contrives to surprise, bending the harmonic line out of the blue like David Beckham in his prime, while staying true throughout to a traditional sacred format. Mac. Millan himself directs his Missa Dunelmi, with Alan Tavener leading Capella Nova for the rest of the concert. It is recorded in the challenging acoustic of the Church of the Holy Rude, Stirling. The sound though, as you’d expect on a label run by a high- end hi- fi manufacturer, is exemplary – wondrously atmospheric and worth the album price on its own if you’ve got new speakers to show off to envious friends. Madeleine Mitchell pops up with a stunning violin solo, which she plays more like country fiddler than concert soloist, filling in the harmonic hills and valleys while the vocals curl upwards into the roof beams. Mac. Millan is a champion virtuoso of church space.> Buy this CD at Amazon. December 2, 2. 01. Splinters(Odradek)****The opening of Gy. Then the second phrase chimes in and you realise that you have never listened properly to a piano before. In one minute and seven seconds, a Hungarian composer takes off both your ears, gives them a rinse and polish and leaves them half a tone sharper than before. This is a specialist service offered only by Hungarian composers and their interpreters. Few perform it better than Mariann Marczi, a teacher at Budapest’s Franz Liszt Academy. She follows austere Kurt. An autumnal reflection by Laszlo Lajtha yearns for a Paris boulevard, while three B. Two living composers, Zoltan Jeney and Gyula Csap. Solo piano in Hungarian is a world unto itself, a world apart.> Buy this CD at Amazon. November 2. 5, 2. Beethoven- Bruckner- Hartmann- Holliger(ECM)***Karl Amadeus Hartmann, who lived all his life in Munich and died 5. Dec), went into inner exile during the Nazi regime. He refused to allow his music to be performed after January 1. After the War, he founded Musica Viva, a concert series that introduced Bavarians to all the new music they had missed under Hitler. His own music is a vital link in German cultural history and is played all too little abroad, or on record. His second string quartet, begun in May 1. Alban Berg and his violin concerto. Like Berg, Hartmann weaves tonal into atonal and hints at sources in Bach. Like Berg, he conceals a lover in the work, the syllables of his wife’s name, Elisabeth. Like Berg he is, for all the cross- references, entirely himself. The music, intimate and intense, grips the ear with great force. It is played here by the Zehetmair Quartet in a context that is at once imaginative and ambitious. The album opens with Beethoven’s final quartet, the opus 1. |
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